Guitar Buying - Getting Started With A Practice Amp

If you have limited funds after guitar buying, but would like to own an amp, start out with what's known as a practice amp - one that has a decent feature set (tone controls, reverb, and two or more volume controls so that you can sculpt your distorted sound) and that delivers a good sound but at low volumes (6 to 12 watts is typical on practice amps). This type of starter amp accustoms you to hearing the electric guitar as it's designed to be heard - through a guitar amp.

Practice amps can run as little as $175 and boast features that appear on their higher-priced performance counterparts. In amplifiers, power - not features - is what drives up the price. Power is expensive to build, requiring heavy-duty transformers, speakers, and cabinetry. For home and casual use - such as jamming with a couple of friends in a garage or basement - 15 or 20 watts is often plenty loud enough, and 6 to 12 watts is sufficient for solo practicing and playing along with your stereo.

Features, on the other hand, such as tone controls and effects (reverb, tremolo), are easier to implement because the manufacturers can stamp them onto a chip and install it on a circuit board.

Now that you are done with guitar buying, the following are some useful things to look for in a practice amp:

  1. Multiple-gain stages: Gain is the technical word for "loudness power," and having two or more separate volume controls on an amp gives you more flexibility in shaping the distorted sound.
  2. Three-band EQ: EQ, or equalization, is tone controls for bass, mid, and high. An EQ device is a fancy tone control that gives you increased flexibility over the bass, midrange, and treble makeup of your sound.
  3. Built-in reverb: Reverb is an echo effect that makes the guitar sound like it's playing within a given environment - rooms of varying sizes, a concert hall, cathedral, canyon, etc.
  4. Channel switching via footswitch: Channel switching enables you to access different sets of volume and tone control. Some practice amps include it; others don't. Decide whether that feature is important enough to pay for in a practice amp. You can always get your distorted sound through an external effect, such as a stomp box, but that's a little bit more of a hassle.
  5. Headphone jack: A headphone jack is a very handy thing in a practice amp as it enables you to get a fully amp-treated sound without going through the speaker. Great for late-night practice sessions!

Because of the miniaturization of all things electronic (you'll know this soon enough once you're done with guitar buying) you can now get full-sounding, authentic guitar sounds from a unit the size of a disposable camera - as long as you listen to it through headphones (meaning that it has no speaker or amplifier of its own). These strap-on wonders come with belt clips and are battery powered for unfettered practicing (great for walking into the bathroom and standing in front of the mirror). And they offer distortion, EQ, reverb, and other effects; numerous presets (sounds programmed or set up by the manufacturer); and stereo sound. These units are great for playing in a moving vehicle and can even output a signal to tape or disk, suitable for recording. They are worth the price if portability, privacy, and authentic tone are important to you.y

Singer and songwriter Jim Byrne has been a guitar player all his life. His songs has a twist of bluesy folk, country, Americana and Scottish. Discover more tips on how to get the most out of guitar buying, and valuable guitar playing tips as he offers some great all-around advice for beginner and advanced players alike. Visit Jim's website for more tips and to download two of Jim's latest songs for free => http://www.songsbyjimbyrne.com/freemp3music/index.html

by Jim A. Byrne; Monday, July 18, 2011 @ 07:51 AM [1640]

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History of the Electric Guitar - Music Technology

History of the Electric Guitar - Music Technology

The fame of the electric guitar started in the big band era when guitarists wanted to amplify their guitars to compete with the large brass sections in jazz orchestras. Earlier, electric guitars were mainly made up of empty acoustic bodies with electromagnetic pick ups attached, to convert the sound into electrical energy for amplifiers.

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